By Dr Charlotte Farrell

Journal articles

Farrell C; Hay C, 2025, 'Belvoir Beyond the Boys' Club: Data Feminism and Australian Theatre', Australiasian Drama Studies, pp. 231 - 263, https://www.adsa.edu.au/dbpage.php?pg=view&dbase=newsletters&id=87#section_1353

Farrell C, 2024, 'Playing Dead: The Post-Tragic Impact of Child Actors in Simon Stone’s (2020) and Anne-Louise Sarks and Kate Mulvany’s (2012) Medea', Contemporary Theatre Review, 34, pp. 48 - 65, http://dx.doi.org/10.1080/10486801.2024.2316800

Farrell C, 2018, 'Trembling Specters: Barrie Kosky's Women of Troy as Post-Tragedy', Journal of Dramatic Theory and Criticism, 32, pp. 105 - 116, http://dx.doi.org/10.1353/dtc.2018.0008

Farrell C, 2015, 'Intimacy Across Visceral and Digital Performance', SOMATECHNICS, 5, pp. 105 - 108, http://dx.doi.org/10.3366/soma.2015.0151

Farrell, C ; Buck, H , 2014, 'Transduction: Refilming in the SAT Dome', Archée, périodique électronique, http://archee.qc.ca/ar.php?page=article&no=452

Farrell C, 2012, 'Barrie Kosky's The Lost Echo: Rethinking Tragic Catharsis through Affective Emergenc(e)y.', Peripeti, pp. 67 - 76

Farrell C, 2011, 'When Blood and Bones Cry Out: Journeys through the Soundscape of Healing and Reconciliation', MEDIA INTERNATIONAL AUSTRALIA, pp. 164 - 165, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000298773700024&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

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