ORCID as entered in ROS

Select Publications
2025, How to Play in Slow Time, BRILL, http://dx.doi.org/10.1163/9789004724853
,2021, Barrie Kosky on the Contemporary Australian Stage: Affect, Post-Tragedy, Emergency, http://dx.doi.org/10.4324/9780367809058
,2021, 'Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky’s Approach to Character', in Global Germany in Transnational Dialogues, Springer International Publishing, pp. 105 - 122, http://dx.doi.org/10.1007/978-3-030-75028-2_5
,2015, 'Moved to tears: Performance, affect, becoming, emergency', in Corporeality and Culture Bodies in Movement, pp. 21 - 34
,2025, 'Belvoir Beyond the Boys' Club: Data Feminism and Australian Theatre', Australiasian Drama Studies, pp. 231 - 263, https://www.adsa.edu.au/dbpage.php?pg=view&dbase=newsletters&id=87#section_1353
,2024, 'Playing Dead: The Post-Tragic Impact of Child Actors in Simon Stone’s (2020) and Anne-Louise Sarks and Kate Mulvany’s (2012) Medea', Contemporary Theatre Review, 34, pp. 48 - 65, http://dx.doi.org/10.1080/10486801.2024.2316800
,2018, 'Trembling Specters: Barrie Kosky's Women of Troy as Post-Tragedy', Journal of Dramatic Theory and Criticism, 32, pp. 105 - 116, http://dx.doi.org/10.1353/dtc.2018.0008
,2015, 'Intimacy Across Visceral and Digital Performance', SOMATECHNICS, 5, pp. 105 - 108, http://dx.doi.org/10.3366/soma.2015.0151
,2014, 'Transduction: Refilming in the SAT Dome', Archée, périodique électronique, http://archee.qc.ca/ar.php?page=article&no=452
,2012, 'Barrie Kosky's The Lost Echo: Rethinking Tragic Catharsis through Affective Emergenc(e)y.', Peripeti, pp. 67 - 76
,2011, 'When Blood and Bones Cry Out: Journeys through the Soundscape of Healing and Reconciliation', MEDIA INTERNATIONAL AUSTRALIA, pp. 164 - 165, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000298773700024&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,2023, Old Fitz Theatre, Publication: A Midsummer Night's Cream, Performances (Music, Theatre, Dance), https://www.redlineproductions.com.au/a-midsummer-nights-cream
,2022, Performance Space, Sydney, Publication: Roundup, Performances (Music, Theatre, Dance), https://performancespace.com.au/programs/live-dreams-threshold/
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