ORCID as entered in ROS

Select Publications
2025, 'Capacity-building strategy for next-generation mental health research: Embedding a national network infrastructure to grow mental health researcher capabilities and mental health lived-experience research leaders', BMJ Mental Health, 28, http://dx.doi.org/10.1136/bmjment-2025-301554
,2024, 'Experimenting with arts-based methods and affective provocations to understand complex lived experience of a diagnosis of borderline personality disorder', Social Science and Medicine, 350, http://dx.doi.org/10.1016/j.socscimed.2024.116950
,2024, 'Connecting Us Back to Ourselves: Aesthetic Experience as a Means to Growth after Trauma', Social Sciences, 13, http://dx.doi.org/10.3390/socsci13010020
,2023, 'Aesthetic Enactment: Engagement with Art Evoking Traumatic Loss', Social Sciences, 12, http://dx.doi.org/10.3390/socsci12080437
,2023, 'Transforming Trauma through an Arts Festival: A Psychosocial Case Study', Social Sciences, 12, http://dx.doi.org/10.3390/socsci12040249
,2023, 'Visual communication and mental health', Visual Communication, 22, pp. 46 - 70, http://dx.doi.org/10.1177/14703572221130451
,2022, 'Gender is dynamic for all people', Discover Psychology, 2, http://dx.doi.org/10.1007/s44202-022-00054-2
,2022, 'Pre-Engagement as Method: An EmbodiMapTM VR Experience to Explore Lived Experience of People from South Sudanese Refugee Background', International Journal of Qualitative Methods, 21, pp. 16094069221123167, http://dx.doi.org/10.1177/16094069221123167
,2021, 'The Visit', Prof Jill Bennett, https://www.aspera.org.au/issue-3
,2021, 'A visit with Viv: Empathising with a digital human character embodying the lived experiences of dementia', Dementia: The International Journal of Social Research and Practice, 20, pp. 2462 - 2477, http://dx.doi.org/10.1177/1471301221998888
,2020, 'Edge of the present: A virtual reality tool to cultivate future thinking, positive mood and wellbeing', International Journal of Environmental Research and Public Health, 18, pp. 1 - 13, http://dx.doi.org/10.3390/ijerph18010140
,2020, 'Women and Stigma: A Protocol for Understanding Intersections of Experience through Body Mapping', International Journal of Environmental Research and Public Health, 17, pp. 5432 - 5432, http://dx.doi.org/10.3390/ijerph17155432
,2020, 'Mnemoscape: Supporting Older Adults’ Event Memory Using Wearable Camera Photographs on an Immersive Interface', Gerontology, 66, pp. 1 - 11, http://dx.doi.org/10.1159/000505848
,2019, 'Lived experience and the limits (and possibilities) of empathy', Cultural Studies Review, 25, pp. 84 - 88, https://epress.lib.uts.edu.au/journals/index.php/csrj/article/view/6881
,2019, 'Exploring the Impact of the Big Anxiety: Festival of arts + science + people', American Journal of Psychiatric Rehabilitation, 22, pp. 210 - 230, http://muse.jhu.edu/article/797610
,2019, 'National trends in total cholesterol obscure heterogeneous changes in HDL and non-HDL cholesterol and total-to-HDL cholesterol ratio: a pooled analysis of 458 population-based studies in Asian and Western countries', International Journal of Epidemiology, 49, http://dx.doi.org/10.1093/ije/dyz099
,2019, 'Psycho-social aesthetics and the art of lived experience', The Journal of Psychosocial Studies, 12, pp. 185 - 201, http://dx.doi.org/10.1332/147867319X15608718111023
,2019, 'Exploring the Impact of the Big Anxiety: Festival of arts + science + people', American Journal of Psychiatric Rehabilitation, 22, pp. 210 - 230
,2019, 'Memory Loss and Scenic Experience: An Arts Based Investigation', Forum: Qualitative Social Research/Forum Qualitative Sozialforschung, 20, http://dx.doi.org/10.17169/fqs-20.1.3126
,2019, 'The work of the audience: visual matrix methodology in museums', Cultural Trends, 28, pp. 162 - 176, http://dx.doi.org/10.1080/09548963.2019.1617939
,2018, 'Emergent Knowledge in the Third Space of Art-Science', Leonardo, 53, pp. 321 - 326, http://dx.doi.org/10.1162/leon_a_01690
,2018, 'The ‘BIG Anxiety Project’: Using the arts to visually explore public experiences and attitudes to anxiety', Journal of Applied Arts & Health, 9, pp. 85 - 97, http://dx.doi.org/10.1386/jaah.9.1.85_1
,2017, 'Are We All Anxious Now?', Tate Etc., https://www.tate.org.uk/tate-etc/issue-39-spring-2017/are-we-all-anxious-now
,2017, 'Artlink: Anxiety: Art and Mental Health [Special Edition] (Editor)', Artlink: Australian contemporary art quarterly, 37, pp. 10 - 10
,2017, 'Diversity and Disruption in Arts and Health', Artlink, 37, pp. 12 - 19
,2015, 'Hearing an EEG: Art-Science as neurophenomenology', On_, 2
,2012, 'Experimental Arts: Studies in Material Thinking [edited journal]', Studies in Material Thinking, 8, http://www.materialthinking.org/
,2012, 'What is Experimental Art?', Studies in Material Thinking, 8, pp. 1 - 5
,2011, 'Image Wars', Ekfrase: Nordic Journal of Visual Culture, 2, pp. 89 - 97, http://www.nomadikon.net/
,2007, 'Aesthetics of Intermediality', Art History, 30, pp. 432 - 450
,2006, 'The Dynamic of Resonance: Art, Politics and the Event', Australian and New Zealand Journal of Art, 7, pp. 67 - 81
,2005, 'Asian Traffic: National Identity-Global Community', Broadsheet, 34, pp. 226 - 229
,2002, 'Art, affect, and the "bad death": Strategies for communicating the sense memory of loss', Signs, 28, pp. 333 - 351, http://dx.doi.org/10.1086/340915
,2002, 'Face-to-Face Encounters: Testimonial Imagery and the South African Truth and Reconciliation Commission', Australian and New Zealand Journal of Art, 3, pp. 32 - 58
,2001, 'Stigmata and sense memory: St Francis and the affective image', Art History, 24, pp. 1 - 16
,1998, 'The spectre of pedophilia and Dennis Del Favero's Parting Embrace', Artlink: Australian contemporary art quarterly, 18, pp. 61 - 63
,'Exploring the Impact of the Big Anxiety Festival of arts', AMERICAN JOURNAL OF PSYCHIATRIC REHABILITATION, 22, pp. 210 - 230
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