ORCID as entered in ROS
https://orcid.org/0000-0002-6541-8083
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Journal articles
, 2013, 'A comparison between continuous categorical emotion responses and stimulus loudness parameters', Iisa 2013 4th International Conference on Information Intelligence Systems and Applications, pp. 112 - 117, http://dx.doi.org/10.1109/IISA.2013.6623697
, 2013, 'Emotion felt by the listener and expressed by the music: Literature review and theoretical perspectives', Frontiers in Psychology, 4, http://dx.doi.org/10.3389/fpsyg.2013.00837
, 2013, 'Comment on review article by Patrik Juslin: "From everyday emotions to aesthetic emotions: Towards a unified theory of musical emotions"', Physics of Life Reviews, 10, pp. 269 - 270, http://dx.doi.org/10.1016/j.plrev.2013.07.007
, 2013, 'On a Blue Note: Depressed Peoples' Reasons for Listening to Music', Music and Medicine, 5, pp. 76 - 83, http://dx.doi.org/10.1177/1943862113482143
, 2013, 'Adaptive and maladaptive attraction to negative emotions in music', Musicae Scientiae, 17, pp. 147 - 166, http://dx.doi.org/10.1177/1029864913478305
, 2013, 'Identifying regions of good agreement among responders in engagement with a piece of live dance', Empirical Studies of the Arts, 31, pp. 1 - 20, http://dx.doi.org/10.2190/EM.31.1.a
, 2013, 'Reliability issues regarding the beginning, middle and end of continuous emotion ratings to music', Psychology of Music, 41, pp. 350 - 371, http://dx.doi.org/10.1177/0305735611430079
, 2013, 'Emotion in popular music: A psychological perspective', Volume !, 10, http://www.seteun.net/
, 2011, 'Cognitive and Affective Judgements of Syncopated Musical Themes', Advances in Cognitive Psychology, 7, pp. 142 - 156, http://dx.doi.org/10.2478/v10053-008-0094-0
, 2011, 'Analysing playing using the note-time playing path', Behavior Research Methods, 43, pp. 278 - 291, http://dx.doi.org/10.3758/s13428-010-0041-0
, 2010, 'Comparing continuous subjective loudness responses and computational models of loudness for temporally varying sounds', 129th Audio Engineering Society Convention 2010, 2, pp. 857 - 864
, 2010, 'A baroque traumerei: The performance and perception of two violin renditions', Musicology Australia, 32, pp. 27 - 44, http://dx.doi.org/10.1080/08145851003793986
, 2010, 'Acoustics Australia: From the editors', Acoustics Australia, 38, pp. 5
, 2010, 'Untitled', ACOUSTICS AUSTRALIA, 38, pp. 5 - 5, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000277368200002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2010, 'Did non-vocal instrument characteristics influence modern singing?', Musica Humana, 2, pp. 121 - 138, http://www.phys.unsw.edu.au/jw/reprints/MusicaHumana.pdf
, 2010, 'The fundamental function of music', Musicae Scientiae, 13, pp. 63 - 81, http://dx.doi.org/10.1177/1029864909013002051
, 2009, 'Baroque expressiveness and stylishness in three recordings of the D minor Sarabanda for Solo Violin', Music Performance Research, 3, pp. 36 - 56, http://mpr-online.net/Issues/Volume%203%20%5B2009%5D/MPR0019%20Fabian%20&%20Schubert%20Final%20Web%20Version.pdf
, 2008, 'PsySound3: An integrated environment for the analysis of sound recordings', Annual Conference of the Australian Acoustical Society AAS 08, pp. 286 - 292
, 2008, 'From the editors', Acoustics Australia, 36, pp. 45
, 2008, 'Cognitive styles of music listening', Music Perception, 26, pp. 57 - 73
, 2008, 'Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach`s Goldberg Variations (BWV 988)', Musicae Scientiae, 12, pp. 177 - 206
, 2008, 'Relationships between expressed and felt emotions in music', Musicae Scientiae, 12, pp. 75 - 99, http://dx.doi.org/10.1177/102986490801200105
, 2007, 'From the editors', Acoustics Australia, 35, pp. 39
, 2007, 'Untitled', ACOUSTICS AUSTRALIA, 35, pp. 39 - 39, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000261498300002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
, 2007, 'The influence of emotion, locus of emotion and familiarity upon preference in music', Psychology of Music, 35, pp. 499 - 515, http://dx.doi.org/10.1177/0305735607072657
, 2007, 'Analysis of Emotional Dimensions in Music Using Time Series Techniques', Context, 31, pp. 65 - 80
, 2007, 'Locus of Emotion: The Effect of Task Order and Age on Emotion Perceived and Emotion Felt in Response to Music', Journal of Music Therapy, XLIV, pp. 344 - 368
, 2007, 'The influence of emotion, locus of emotion and familiarity upon preference in music', Psychology of Music, 44, pp. 344 - 368
, 2006, 'Does timbral brightness scale with frequency and spectral centroid?', ACTA Acustica United With Acustica, 92, pp. 820 - 825
, 2006, 'The dimensions of baroque music performance: a semantic differential study', Psychology of Music, 34, pp. 573 - 587
, 2006, 'The effect of implied harmony, contour and musical expertise on judgments of similarity of familiar melodies', Journal of New Music Research, 35, pp. 161 - 174
, 2005, 'Acoustics Australia: From the editors', Acoustics Australia, 33, pp. 5
, 2005, 'Differences in emotion observed and emotion felt in response to music', Australian Journal of Psychology, pp. 71 - 71
, 2004, 'Modeling perceived emotion with continuous musical features', Music Perception, 21, pp. 561 - 586
, 2003, 'Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach`s Goldberg Variations', Musicae Scientiae, Special, pp. 49 - 68
, 2003, 'Update of Hevner`s adjective checklist', Perceptual and Motor Skills, 96, pp. 1117 - 1122
, 2003, 'UPDATE OF THE HEVNER ADJECTIVE CHECKLIST', Perceptual and Motor Skills, 96, pp. 1117 - 1117, http://dx.doi.org/10.2466/pms.96.3.1117-1122
, 2002, 'Correlation Analysis of Continuous Response: correcting for the effect of Serial correlation.', Musicae Scientiae, pp. 213 - 233
, 2002, 'Preference and perception in dotted 6/8 patters by experienced and less experienced baroque music listeners.', Journal of Music Perception and Cognition, 7, pp. 113 - 132
, 1999, 'Measuring emotion continuously:validity and reliability of the two-dimensional emotion-space', Australian Journal of Psychology, pp. 154 - 165
, 1996, 'Enjoyment of negative emotions in music:an associative network explanation', Psychology of Music, pp. 18 - 28
Conference Papers
, 2023, 'Knocking on a yellow door: interactions among knocking sounds, colours, and emotions', in Proceedings of Forum Acusticum
, 2021, 'A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes', in ACM International Conference Proceeding Series, pp. 224 - 231, http://dx.doi.org/10.1145/3478384.3478409
, 2021, 'SLEEP through SURVEYED: USAGE and EFFICACY of STREAMED SOUNDSCAPES CREATED to HELP INFANTS SLEEP', in Proceedings of the Sound and Music Computing Conferences, pp. 253 - 260
, 2020, 'Key Clarity is Blue, Relaxed, and Maluma: Machine Learning Used to Discover Cross-Modal Connections Between Sensory Items and the Music They Spontaneously Evoke', in Advances in Intelligent Systems and Computing, pp. 214 - 223, http://dx.doi.org/10.1007/978-981-15-7801-4_22
, 2018, 'A simple algorithm for music recommendation, built on established psychological principles', in Ventura MD (ed.), New music concepts: 5th International conference, ICNMC, Abeditore, Italy, presented at
, 2018, 'Using the Three-Component Model of the Musician Definition, A Musician is Someone Who Has Six Years of Musical Expertise', in Proceedings of ICMPC15/ESCOM10, Graz, Montreal, La Plata, Sydney, presented at
, 2015, 'Mozart is still blue: a comparison of sensory and verbal scales to describe qualities in music', in Timoney J; Lysaght T (ed.), The 12th Sound and Music Computing Conference, Maynooth University, Maynooth, Co. Kildare, Ireland, pp. 351 - 358, presented at
, 2015, 'Toward a musical Turing test for automatic music performance', in Kronland-Martinet R; Ystad S; Aramaki M (eds.), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, pp. 697 - 704, presented at
, 2015, 'Veridical Chaining: A case-based memory matching approach to the mental organization of music', in Aramaki M; Kronland-Martinet R; Ystad S (eds.), 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, pp. 428 - 440, presented at
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https://orcid.org/0000-0002-6541-8083