By Professor Dorottya Fabian

Books

Fabian D, 2015, A Musicology of Performance: Theory and Method Based on Bach's Solos for Violin, Open Book Publishers, Cambridge, UK, http://dx.doi.org/10.11647/OBP.0064

Fabian DS, 2003, Bach performance practice 1945-1975: A comprehensive review of sound recordings and literature, Ashgate, Aldershot

Book Chapters

Fabian D, 2022, 'PERFORMANCE PRACTICES FOR BARO QUE AND CLASSICAL REPERTOIRE', in Oxford Handbook of Music Performance Development and Learning Proficiencies Performance Practices and Psychology Volume 1, pp. 327 - 352, http://dx.doi.org/10.1093/oxfordhb/9780190056285.013.17

Fabian D, 2022, 'Performance Practices for Baroque and Classical Repertoire', in McPherson GE (ed.), The Oxford Handbook of Music Performance Vol. 1, Oxford University Press, New York, pp. 327 - 352, http://dx.doi.org/10.1093/oxfordhb/9780190056285.013.17

Fabian D, 2018, 'Making the obscure familiar: Roger Covell's contribution to opera in Sydney', in Fabian D; Napier J (ed.), Diversity in Australia's Music: Themes Past, Present and for the Future, Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 185 - 199, http://www.cambridgescholars.com/diversity-in-australias-music

Napier J; Fabian D, 2018, 'Musical practices in Australia: Reflections on the past and present', in Fabian D; Napier J (ed.), Diversity in Australia's Music: Themes Past, Present, and for the Future, Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 2 - 21, http://www.cambridgescholars.com/diversity-in-australias-music

Napier J, 2018, 'The Company You Keep', in Fabian D; Napier J (ed.), Diversity in Australia's Music: Themes Past, Present and for the Future, Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 158 - 171

Fabian D, 2017, 'The recordings of Joachim, Ysaye and Sarasate in light of their reception by nineteenth-century British critics', in Classical and Romantic Music, pp. 97 - 118, http://dx.doi.org/10.4324/9781315095653-8

Fabian D, 2017, 'Historical Performance Practice at the beginning of the new millennium', in Harer I; Rottensteiner G (ed.), Wissenschaft und Praxis – Altes und Neues. Festschrift 50 Jahre Institut 15: Alte Musik und Aufführungspraxis an der Kunstuniversität Graz, Leykam, Graz, pp. 131 - 143

Fabian D, 2017, 'Performing music: written traditions', in Ashley R; Timmers R (ed.), The Routledge Companion to Music Cognition, Routledge, New York, pp. 277 - 287

Fabian D, 2016, 'A Tribute to Roger Covell', in Fabian D; Maddock S (ed.), Roger Covell at 85: A Tribute by his Colleagues and Students, School of the Arts and Media, UNSW Australia, Sydney, pp. 2 - 6

Fabian D, 2015, 'Affect and Individual Difference: Towards a Holistic Account of Performance', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 201 - 271, http://dx.doi.org/10.11647/OBP.0064.05

Fabian D, 2015, 'Analysis of Performance Features', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 127 - 200, http://dx.doi.org/10.11647/OBP.0064.04

Fabian D, 2015, 'Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 273 - 296, http://dx.doi.org/10.11647/OBP.0064.06

Fabian D, 2015, 'Dancing to Architecture?', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 1 - +, http://dx.doi.org/10.11647/OBP.0064.01

Fabian D, 2015, 'Theoretical Matters', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 25 - 74, http://dx.doi.org/10.11647/OBP.0064.02

Fabian D, 2015, 'Violinists, Violin Schools and Emerging Trends', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 75 - 125, http://dx.doi.org/10.11647/OBP.0064.03

Fabian D; Timmers R; Schubert E, 2014, 'Afterthought', in , Oxford University PressOxford, pp. 352 - 356, http://dx.doi.org/10.1093/acprof:oso/9780199659647.005.0001

Fabian D, 2014, 'Commercial Sound Recordings and Trends in Expressive Music Performance', in Expressiveness in music performance, Oxford University PressOxford, pp. 58 - 79, http://dx.doi.org/10.1093/acprof:oso/9780199659647.003.0004

Schubert E; Fabian D, 2014, 'A taxonomy of listeners' judgments of expressiveness in music performance', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance, Oxford University Press, pp. 283 - 303

Fabian D; Timmers R; Schubert E, 2014, 'Afterthought', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance: Empirical approaches across styles and cultures, Oxford University Press, Oxford, pp. 353 - 356, http://ukcatalogue.oup.com/product/9780199659647.do

Fabian D, 2014, 'Commercial Sound Recordings and Trends in Expressive Music Performance: Why should experimental researchers pay attention?', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in music performance: empirical approaches across styles and cultures, Oxford University Press, Oxford, UK, pp. 58 - 79, http://ukcatalogue.oup.com/product/9780199659647.do

Fabian D; Timmers R; Schubert E, 2014, 'Introduction: Expressiveness in music Performance', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance: Empirical approaches across styles and cultures, Oxford University Press, Oxford, pp. xxi - xxx, http://ukcatalogue.oup.com/product/9780199659647.do

Fabian DS, 2008, 'Classical Sound Recordings and Live Performances: Artistic and Analytical Perspectives', in Dogantan-Dack M (ed.), Recorded Music: Philosophical and Critical Reflections, Middlesex University Press, London, pp. 232 - 260

Fabian DS, 2006, 'The merits of archival research in music: reviews of Bach Awakening in England and Musical Entries at Stationers` Hall 1710-1818', in Musicology Australia, Musicological Society of Australia, Kensington, NSW, pp. 128 - 131

Schubert E; Fabian DS, 2005, 'An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J. S. Bach excerpt', in Mackinlay E; Collins D; Owens S (ed.), Aesthetics and Experience in Music Performance Proceedings of the Musicological Society of Australia National Workshop Brisbane October 2003, Cambridge Scholars Publishing, Newcastle, UK, pp. 70 - 84

Fabian DS, 2005, 'Towards a Performance History of Bach's Sonatas and Partitas for Solo Violin: Preliminary Investigations', in Vikárius L; Lampert V (ed.), Essays in Honor of Laszlo Somfai on His 70th Birthday: Studies in the Sources and the Interpretation of Music, Scarecrow press, Lanham, Maryland (USA), pp. 87 - 108

Fabian DS, 2000, 'Novotny,Franz Anton', in The New Grove Dictionary of Music and Musicians Volume 18, Macmillan Press, London, pp. 222 - 223

Fabian DS, 1996, 'A Bach-interpretacio valtozo stilusa:Goldberg-variaciok 1945-1978', in Zenetudomanyi tanulmanyok Kroo Gyorgy tiszteletere, Magyar Zenetudomanyi es Zenekritikai Tarsasag, Budapest, pp. 26 - 41

Edited Books

Fabian D; Napier J, (ed.), 2018, Diversity in Australia's Music: Themes Past, Present, and for the Future, Cambridge Scholars Publishing, Newcastle upon Tyne, http://www.cambridgescholars.com/diversity-in-australias-music

Fabian D; Maddock S, (ed.), 2016, Roger Covell at 85: A Tribute by his Colleagues and Students, School of the Arts and Media, UNSW Australia, Sydney

Fabian D; Timmer R; Schubert E, (eds.), 2014, Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures, Oxford University Press, USA, Oxford, UK, http://dx.doi.org/10.1093/acprof:oso/9780199659647.001.0001

Fabian DS, (ed.), 2009, Musica: the Life and Times of the Great Composers (1000 years of classical Music), Millennium House, Elanora Heights, NSW

Journal articles

Zhou D; Fabian D, 2023, 'Velocity and Virtuosity: An Empirical Investigation of Basic Tempo in Contemporary Performances of Two Large-scale Works of Chopin and Liszt', Empirical Musicology Review, 16, pp. 176 - 204, http://dx.doi.org/10.18061/emr.v16i2.8114

Zhou DQ; Fabian D, 2019, 'A Three-Dimensional Model for Evaluating Individual Differences in Tempo and Tempo Variation in Musical Performance', Musicae Scientiae, 25, pp. 252 - 267, http://dx.doi.org/10.1177/1029864919873124

Fabian D, 2017, 'Analyzing Difference in Recordings of Bach’s Violin Solos with a Lead from Gilles Deleuze', Music Theory Online, 23, pp. 1 - 23, http://dx.doi.org/10.30535/mto.23.4.4

Fabian D, 2017, 'Performers, Composers, Scores and Editions: Commentary on Huisman, Gingras, Dhondt, and Leman', Empirical Musicology Review, 12, pp. 72 - 74, http://dx.doi.org/10.18061/emr.v12i1-2.5244

Fabian D, 2015, 'From Stage to Page: Studying the Performance of Music', Open Book Publishers, http://dx.doi.org/10.11647/obp.0173.0012

Bangert D; Schubert E; Fabian D, 2015, 'Practice thoughts and performance action: Observing processes of musical decision-making', Music Performance Research, 7, pp. 27 - 46, https://openmusiclibrary.org/article/160507/

Bangert D; Schubert E; Fabian D, 2014, 'A spiral model of musical decision-making', Frontiers in Psychology, 5, pp. 1 - 11, http://dx.doi.org/10.3389/fpsyg.2014.00320

Bangert D; Fabian D; Schubert E; Yeadon D, 2014, 'Performing solo Bach: A case study of musical decision-making', Musicae Scientiae, 18, pp. 35 - 52, http://dx.doi.org/10.1177/1029864913509812

Fabian DS, 2013, 'Ornamentation in Recent Recordings of J.S. Bach’s Solo Sonatas and Partitas for Violin', Min-Ad: Israel Studies in Musicology Online, 11, pp. 1 - 21, http://www.biu.ac.il/hu/mu/min-ad/

Sung A; Fabian D, 2011, 'Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 1998', EMPIRICAL MUSICOLOGY REVIEW, 6, pp. 20 - 42, http://dx.doi.org/10.18061/1811/49760

Fabian DS; Sung A, 2011, 'Variety in Performance: A comparative Analysis of Recorded Performances of Bach’s Sixth Suite for Solo Cello from 1961 to 1998', Empirical Musicology Review, 6, pp. 23 - 42

Fabian D; Schubert E; Pulley R, 2010, 'A baroque traumerei: The performance and perception of two violin renditions', Musicology Australia, 32, pp. 27 - 44, http://dx.doi.org/10.1080/08145851003793986

Fabian DS; Schubert E; Pulley R, 2010, 'A Baroque Traumerei: The performance and perception of two violin renditions', Musicology Australia, 32, pp. 25 - 42

Fabian DS; Schubert E, 2010, 'A new perspective on the performance of dotted rhythms', Early Music, 38, pp. 585 - 588, http://dx.doi.org/10.1093/em/caq079

Fabian DS, 2010, 'Quantifying the Use of Dynamics in Western Keyboard Music: Lessons and Problems', Empirical Musicology Review, 5, pp. 112 - 114, https://kb.osu.edu/dspace/bitstream/1811/47562/1/EMR000086b-Fabian.pdf

Fabian DS; Schubert E, 2009, 'Baroque expressiveness and stylishness in three recordings of the D minor Sarabanda for Solo Violin', Music Performance Research, 3, pp. 36 - 56, http://mpr-online.net/Issues/Volume%203%20%5B2009%5D/MPR0019%20Fabian%20&%20Schubert%20Final%20Web%20Version.pdf

Fabian DS; Ornoy E, 2009, 'Identity in Violing Playing on Records', Performance Practice Review, 14, pp. 1 - 40

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