ORCID as entered in ROS

Select Publications
2020, Dance in contested land: New intercultural dramaturgies
,2020, 'Cut the Sky—Dramaturgies to Disrupt the Anthropocene', in New World Choreographies, pp. 107 - 146, http://dx.doi.org/10.1007/978-3-030-46551-3_4
,2020, 'Gudirr Gudirr—Culturally Situated Neo-Expressionism', in New World Choreographies, pp. 69 - 106, http://dx.doi.org/10.1007/978-3-030-46551-3_3
,2020, 'Introduction: Contested Land', in New World Choreographies, pp. 1 - 34, http://dx.doi.org/10.1007/978-3-030-46551-3_1
,2020, 'The Dramaturgies of Listening to Country', in New World Choreographies, pp. 35 - 67, http://dx.doi.org/10.1007/978-3-030-46551-3_2
,2019, 'Dancing in the Gap', in Routledge Companion to Theatre and Politics, pp. 134 - 138, http://dx.doi.org/10.4324/9780203731055-34
,2014, 'Burning daylight: Contemporary indigenous dance, loss and cultural intuition', in Ethics and the Arts, pp. 99 - 112, http://dx.doi.org/10.1007/978-94-017-8816-8_10
,2014, 'Time and a Mirror: Towards a Hybrid Dramaturgy for Intercultural-Indigenous Performance', in New Dramaturgy International Perspectives on Theory and Practice, pp. 145 - 163
,2023, 'Research Methodologies for Dance and Cultural Dramaturgies in Contested Land', Critical Stages, 2023
,2023, 'EDITORIAL', Choreographic Practices, 14, pp. 99 - 104, http://dx.doi.org/10.1386/CHOR_00061_2
,2022, 'Performance as Intersectional Resistance: Power, Polyphony and Processes of Abolition', Humanities Switzerland, 11, http://dx.doi.org/10.3390/h11010028
,2021, 'Calling a warning', Westerly, 61, pp. 14 - 26
,2015, 'A meeting of nations: Trans-indigenous and intercultural interventions in contemporary indigenous dance', Theatre Journal, 67, pp. 503 - 521, http://dx.doi.org/10.1353/tj.2015.0093
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