By Dr Gregory Dolgopolov

Book Chapters

Dolgopolov G, 2025, 'A PALACE FOR PUTIN: NAVALNY’S IRONIC DOCUMENTARY', in Kostina A; Shpolberg M (ed.), The New Russian Documentary: Reclaiming Reality in the Age of Authoritarianism: Contemporary Russian Documentary, Edinburgh University Press, Edinburgh, pp. 49 - 63, https://edinburghuniversitypress.com/book-the-new-russian-documentary.html

Dolgopolov G, 2023, 'Creating Digitally: Computer Films/Screenlife/Zoom', in Creating Digitally Shifting Boundaries: Arts and Technologies - Contemporary Applications and Concepts, Springer, pp. 161 - 183, http://dx.doi.org/10.1007/978-3-031-31360-8_6

Dolgopolov G, 2023, 'Forged Network-Narratives: Tolstoy’s The Forged Coupon and a cycle of adaptations in World Cinema', in Sobolev O; Smith A (ed.), Film Adaptations of Russian Classics Dialogism and Authorship, Edinburgh University Press, Edinburgh, https://edinburghuniversitypress.com/book-film-adaptations-of-russian-classics.html

Dolgopolov G, 2021, 'New Australian Crime Drama', in Ryan MD; McWilliams K (ed.), Australian Genre Film, pp. 74 - 89, https://www.routledge.com/Australian-Genre-Film/McWilliam-Ryan/p/book/9781138603141

Dolgopolov G, 2019, 'Legend No. 17', in Salys R (ed.), The Contemporary Russian Cinema Reader 2005-2016, Academic Studies Press, https://www.academia.edu/38686102/The_Contemporary_Russian_Cinema_Reader_2005-2016_Sampler_

Dolgopolov G, 2017, 'Lost and Found: Children in Indigenous Australian Cinema', in Donald SH; Wilson E; Wright S (ed.), Childhood and Nation in Contemporary World Cinema: Borders and Encounters, BLOOMSBURY PUBL INC, pp. 32 - 42

Dolgopolov G, 2015, 'Animal Kingdom', in Directory of World Cinema Australia and New Zealand 2, pp. 99 - 100

Dolgopolov G, 2015, 'CRIME', in Ryan MD; Lealand D; Goldsmith B (ed.), Directory of World Cinema Australia and New Zealand 2, Intellect L & D E F A E, http://press.uchicago.edu/ucp/books/book/distributed/D/bo14239040.html

Dolgopolov G, 2015, 'Snowtown', in Directory of World Cinema Australia and New Zealand 2, Intellect L & D E F A E

Dolgopolov G; Stern L, 2015, ''Beware film star! Towards a performance and cultural analysis of Innokenty Smoktunovsky as Soviet film star'', in Bandhauer A; Royer M (ed.), Stars in World Cinema Screen Icons and Star Systems Across Culture, I.B. Tauris & Co. Ltd., London & New York, pp. 131 - 142, http://www.ibtauris.com/Books/The%20arts/Film%20TV%20%20radio/Films%20cinema/Stars%20in%20World%20Cinema%20Screen%20Icons%20and%20Star%20Systems%20Across%20Cultures.aspx?menuitem=%7BF4FB9C21-0D94-4D41-B092-6845ABC80FF6%7D

Dolgopolov G, 2013, 'High Stakes: The Vampire and the Double in Russian Cinema', in Och D; Strayer K (ed.), Transnational Horror Across Visual Media, Routledge, London, http://www.routledge.com/books/details/9780203567791/

Dolgopolov G, 2013, ''The Futures of Film Festivals in Sydney'', in Kaufman T; Bateman C; Poe J (ed.), Sydney Film Festival 1954 to Now: A Living Archive, Sydney Film Festival, Sydney, http://online.sffarchive.org.au/

Dolgopolov G, 2013, '‘Ethnic, Diasporic, Multicultural? The Film Festival as Policy and Practice’', in Jakubowicz A; Ho C (ed.), ‘For those who’ve come across the seas…’Australian Multiculturalism: Theory Policy and Practice', Australian Scholarly Publishing, North Melbourne, pp. 68 - 82, http://scholary.info/

Dolgopolov G, 2010, 'New Gulliver', in Beumers B (ed.), Directory of world cinema, Russia, Intellect, Bristol, UK, pp. 250 - 252

Dolgopolov G, 2010, 'New Gulliver', in Beumers B (ed.), DIRECTORY OF WORLD CINEMA RUSSIA, Intellect, Bristol, http://www.intellectbooks.co.uk/books/view-Book,id=4714/

Dolgopolov G, 2009, '“Excess in Oz: The Crazy Russian and the Quiet Australian”', in Simpson C; Murawska R; Lambert A (ed.), Diasporas of Australian Cinema, Intellect Books, Bristol, pp. 83 - 92

Dolgopolov G, 2009, 'Excess in Oz: The Crazy Russian and the Quiet Australian', in Simpson C; Murawska R; Lambert A (ed.), Diasporas of Australian Cinema, Intellect Books, Bristol, pp. 83 - 92

Edited Books

Hemelryk Donald SJ; Wilson E; Wright S; Blejmar J; Dolgopolov G; Lebeau V; Bruveris K; Lanicek J; Danta S; Flanagan V; Solomon S; Beckett J; Lawrence M; Kilduff H; Qiu Z; Indelicato M, (eds.), 2017, Childhood and Nation in World Cinema: borders and encounters, Bloomsbury, London and New York, http://www.bloomsbury.com/us/childhood-and-nation-in-contemporary-world-cinema-9781501318597/

Journal articles

Dolgopolov G, 2022, '‘U311 Cherkasy, the little minesweeper of a Ukrainian film that gave the finger to the Russian Navy’', The Conversation, https://theconversation.com/u311-cherkasy-the-little-minesweeper-of-a-ukrainian-film-that-gave-the-finger-to-the-russian-navy-186559

Dolgopolov G, 2022, 'How Solntsepyok, a brutal 2021 propaganda film, primed Russians for war with Ukraine’', The Conversation, https://theconversation.com/how-solntsepyok-a-brutal-2021-propaganda-film-primed-russians-for-war-with-ukraine-185701

Dolgopolov G, 2022, 'Germinating the Ant Plant', Short Film Studies, 12, pp. 115 - 124, http://dx.doi.org/10.1386/sfs_00072_1

Dolgopolov G, 2021, 'Russian Screen Responses to the Pandemic', Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 12 (2021), http://dx.doi.org/10.17892/app.2020.000111.249

Dolgopolov G, 2021, 'Pavel Kostomarov: To the Lake (Epidemiia, 2019) EPIDEMIC AND EXPOSURE THERAPY', KinoKultura, http://www.kinokultura.com/2021/72r-epidemiia.shtml

Dolgopolov G, 2021, 'Ghosting in the outback Noir', Coolabah, pp. 4 - 16, http://dx.doi.org/10.1344/co2021294-16

Dolgopolov G, 2021, 'Konstantin Buslov: Kalashnikov', KinoKultura, http://www.kinokultura.com/2021/71r-kalashnikov.shtml

Dolgopolov G, 2020, 'Elena Khazanova: Mistresses', KinoKultura, http://www.kinokultura.com/2020/67r-liubovnitsy.shtml

Dolgopolov G, 2019, 'Indigenous representations on screen and in print', METRO, pp. 18 - 20, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000879240900008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Dolgopolov G, 2018, 'Donbass', Film Ink, https://www.filmink.com.au/reviews/donbass/

Dolgopolov G, 2018, 'Aleksei Nuzhnyi: I’m Losing Weight', KinoKultura, 1, http://www.kinokultura.com/2018/62r-ya-khudeiu.shtml

Dolgopolov G, 2017, 'House on Trubnaya', Senses of Cinema, http://sensesofcinema.com/2017/soviet-cinema/the-house-on-trubnaya/

Dolgopolov G, 2017, 'Khrustalyov My Car', Senses of Cinema, http://sensesofcinema.com/2017/soviet-cinema/khrustalyov-my-car-2/

Dolgopolov G, 2016, 'Will to Truth ADAPTATION AND THE UNCANNY IN SIMON STONE'S THE DAUGHTER', METRO, pp. 6 - 11, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000398088400001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Dolgopolov G, 2016, 'GOLDSTONE', METRO, pp. 8 - 13, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000398089600001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Dolgopolov G; Carroll Harris LF; Stevens K, 2016, 'Distribution and film festivals: editorial introduction', Studies in Australasian Cinema, 10, pp. 97 - 99, http://dx.doi.org/10.1080/17503175.2016.1141921

Dolgopolov G, 2016, 'Vasilii Serikov: 22 Minutes', Kinokultura, 51, http://kinokultura.com/

Dolgopolov G, 2015, 'Odyssey Across the Outback Jeremy Sims' Last Cab to Darwin', METRO, pp. 68 - 73, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000367103300012&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Stevens K; Harris LC; Dolgopolov G, 2015, 'Special section: Inside looking out -film festival reports', Studies in Australasian Cinema, 9, pp. 187 - 189, http://dx.doi.org/10.1080/17503175.2015.1058645

Dolgopolov G, 2015, '‘Possum (1997) – The Fractured Family and Turning Animal’', Short Film Studies, 6, pp. 57 - 60, http://dx.doi.org/10.1386/sfs.6.1.57_1

Dolgopolov G; Carroll Harris LF; Stevens K, 2015, 'Introductory essay: distribution', Studies in Australasian Cinema, 9, pp. 3 - 6, http://dx.doi.org/10.1080/17503175.2014.1002268

Dolgopolov G, 2015, 'Reeling in the beast: The anti-Russian, Russian 'Leviathan'', Metro Magazine, pp. 68 - 73, http://search.informit.com.au/documentSummary;res=IELAPA;dn=419749073949202

Dolgopolov G, 2014, '‘Sochi on screen: how Russia is being sold to Russians’', The Conversation, 17 Feb 2014, http://theconversation.com/

Dolgopolov G, 2014, ''Fissures in the fiction: The Broken Shore’', Metro Magazine, 180, pp. 68 - 70, http://www.metromagazine.com.au/

Dolgopolov G, 2014, '‘A future forlorn: David Michod's The Rover’', Metro Magazine, 182, pp. 28 - 33, http://www.metromagazine.com.au/

Dolgopolov G, 2014, '‘Beyond black and white: Indigenous cinema and the mainstream’', Metro Magazine, 181, pp. 78 - 83, http://www.metromagazine.com.au/index.html

Dolgopolov G, 2014, 'Heart of darkness: Wolf Creek 2', Metro Magazine, 180, pp. 24 - 29, http://www.metromagazine.com.au/

Dolgopolov G, 2013, 'The Surfeit of Film Festivals', ArtsHub, http://www.artshub.com.au/news-article/opinions/all-arts/the-surfeit-of-film-festivals-195744

Dolgopolov G, 2012, '‘Collaboration or Cooperation?’', LUMINA

Dolgopolov G, 2012, 'Loot', KinoKultura, http://www.kinokultura.com/2012/35r-bablo.shtml

Dolgopolov G, 2012, 'Night Watch: Transmedia, Game and Nation', Digital Icons, 8, http://www.digitalicons.org/

Dolgopolov G, 2011, '‘Alexander Nevsky’', Senses of Cinema, 58, http://www.sensesofcinema.com/2011/cteq/alexander-nevsky/

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