By Dr George Burdon

Journal articles

Burdon G, 2025, 'Sound Art Geographies: Listening at the Limits of Audibility', Geography Compass, 19, http://dx.doi.org/10.1111/gec3.70022

Burdon G, 2025, 'Displaced attention: Bergson, attentive habits and Tony Conrad's drone music', Area, http://dx.doi.org/10.1111/area.70022

Burdon G, 2024, 'Just Beyond Listening: Essays of Sonic Encounter', CULTURAL GEOGRAPHIES, http://dx.doi.org/10.1177/14744740241293123

Burdon G, 2023, 'Immunological atmospheres: Ambient music and the design of self-experience', Cultural Geographies, 30, pp. 555 - 568, http://dx.doi.org/10.1177/14744740231167604

Burdon G, 2022, 'On being affected: Desire, passion, and the question of conatus after Spinoza and Deleuze', Transactions of the Institute of British Geographers, 47, pp. 682 - 694, http://dx.doi.org/10.1111/tran.12526

Williams N; Burdon G, 2022, 'Writing subjectivity without subjecthood: the machinic unconscious of Nathalie Sarraute’s Tropisms', Social and Cultural Geography, 24, pp. 1403 - 1421, http://dx.doi.org/10.1080/14649365.2022.2065694

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