By Dr David Corbet

Books

Corbet D, 2024, Trauma, Art and Memory in the Postcolony Turning Sorrow into Meaning, Palgrave Macmillan

Corbet D; Best S; Muniz Reed I; Poll M, 2017, The Museum of Dissensus: Erasure and Memory, Corbet D, (ed.), Sydney College of the Arts, The University of Sydney, Rozelle, N.S.W, https://sydney.primo.exlibrisgroup.com/permalink/61USYD_INST/1c0ug48/alma991001314549705106

Corbet D; Murray K; Medina C; Dlungwana P, 2014, South: Contemporary Art from Australia, Mexico and South Africa, Corbet D, (ed.), Hazelhurst Regional Gallery and Arts Centre, Gymea, N.S.W

Book Chapters

Corbet D, 2024, 'Locating Cultural Memory through Ephemeral Art Practice', in The Nomadic Image: Explorations at the intersections of art, science, and culture, Victorian College of the Arts, University of Melbourne, Melbourne, pp. 142 - 153, https://artandaustralia.com/book.php?id=278

Corbet D, 2019, 'Decolonising the Exhibitionary Complex: Perspectives on Australian and Latin American art, geopolitics and translocal practice in the Global Contemporary', in Peñaloza F; Walsh S (ed.), Mapping South-South Connections: Australia and Latin America, Springer International Publishing : Imprint: Palgrave Macmillan, Cham, Switzerland, pp. 25 - 57, http://dx.doi.org/10.1007/978-3-319-78577-6

Journal articles

Corbet D, 2012, 'The Artist is Absent: Reactivation: The 9th Shanghai Biennale', Art Monthly Australia, pp. 29 - 31, http://search.proquest.com/docview/1152087897/

Corbet D, 2012, 'Things made and not made – Documenta 13', Art Monthly Australia, pp. 5 - 9

Theses / Dissertations

Corbet D, 2019, Trans*localities and Frontier Zones – Place, identity and exhibition-making in the era of the Global Contemporary, The University of Sydney

Creative Written Works

Corbet D, 2019, Power and Dissensus, Permanent Recession – A Handbook on Art, Labour and Circumstance, Goodwin C, (ed.), Onomatopee, https://www.onomatopee.net/exhibition/permanent-recession/#publication_9873

Corbet D, 2019, Adventures in Biennale-land: thoughts on the Adelaide Biennial of Australian Art; NGV Triennial and the 21st Biennale of Sydney, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-90

Corbet D, 2019, War Requiem: Reflections on conflict and memorialisation, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-91

Corbet D, 2018, Unlearning from Europe: Notes on Documenta 14, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-88

Corbet D, 2018, Personal, Political, Public: Reflections on difference, diversity and representation in the era of the Global Contemporary, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-89

Corbet D, 2017, Anxiousness: thoughts on The National – New Australian Art, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing

Corbet D, 2017, In the shadow of the wall: Reflections on The Jerusalem Show VIII – Before and After Origins, Broadsheet Journal, Were W, (ed.), CACSA - Contemporary Art centre of South Australia (Ace Open), https://issuu.com/cacsabroadsheet/docs/broadsheet_46.1

Corbet D, 2017, Sea of Longing: Qalandiya International 2016 – This Sea is Mine, Eyeline Contemporary Visual Arts, Follent S, (ed.), Eyeline Publishing, https://www.eyelinepublishing.com/issue/eyeline-86

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