By Associate Professor Katherine Moline

Conference Presentations

Moline K, 2010, 'When Does Practice Fulfill the Scholarly Definition of Research?', presented at New Territories: Design Research Context, College of Fine Art, UNSW, 19 August 2010

Moline K, 2010, 'How Experimental Designers Question Mechanical Functionalism as the Defining Paradigm of Design', presented at New Territories: On Designing, College of Fine Arts, UNSW, 05 August 2010

Moline K, 2010, 'If I put this on my wall at home, why wouldn't it be art?: the rules of making and the rules of judging design', presented at Poetic Machines, University of Technology Sydney, 04 August 2010

Moline K; Clark K, 2007, 'Exhibitions as Interfaces Between Practice and Research', presented at ACUADS, College of Fine Arts, UNSW, 28 September 2007 - 28 September 2007

Moline K, 2007, 'The Inseparability of Wit and Reason in Contemporary Experimental Design', presented at ConnectED 2007, University of New South Wales, Sydney, 12 July 2007 - 12 July 2007

Moline K, 2004, 'Experimental Design', presented at sds2k4: Sydney Design Symposium, University of Technlogy Sydney and College of Fine Arts University of New South Wales, 12 November 2004 - 13 November 2004

Conference Abstracts

Moline K, 2018, 'Myths of the Near Future: Socially Engaged Data', in Selfie Subjectivities Research Symposium, Co-sponsored by Creative Agency; Swinburne University of Technology Social Media Research Group; Design & Creative Practice ECP Platform (RMIT); and Digital Ethnography Research Centre (RMIT), RMIT, Melbourne, pp. 10 - 10, presented at Selfie Subjectivities Research Symposium, RMIT, Melbourne, 05 April 2018 - 06 April 2018

Curatorial Outputs

Moline K, 2023, The Data Imaginary: Fears and Fantasies, 2023, exhibited at: ANU School of Art & Design Gallery, Canberra, 28 September 2023 - 27 October 2023, https://thedataimaginary.com/

Moline K; Goddard A; Hayman A; Casey T; Davis B, 2021, The Data Imaginary: Fears and Fantasies, exhibited at: Griffith University Art Museum, Brisbane, 02 May 2021 - 02 July 2021, http://dx.doi.org/10.26190/unsworks/28202

Moline K; Butoliya D; Ansari A, 2016, Climactic: Post Normal Design, exhibited at: Miller Gallery, Carnegie Mellon University, Pittsburgh, USA, 04 November 2016 - 11 December 2016, http://dx.doi.org/10.26190/unsworks/26333

Moline K; Hall P; Davis B; Vaughan L; Haylock B, 2015, Experimental Thinking / Design Practices, exhibited at: Griffith University Art Gallery, Brisbane, 18 September 2015 - 07 November 2015, http://dx.doi.org/10.26190/unsworks/26334

Moline K; Haylock B; Vaughan L, 2015, Experimental Practice: Provocations In and Out of Design, exhibited at: RMIT Design Hub, 11 May 2015 - 30 May 2015, http://dx.doi.org/10.26190/unsworks/25634

Moline K, 2014, Feral Experimental, exhibited at: UNSW Galleries, 18 July 2014 - 30 August 2014, http://www.niea.unsw.edu.au/events/exhibition-feral-experimental

Moline K, 2012, Cross-Pollination, exhibited at: COFA Exhibition Space; COFA UNSW Paddington, 05 June 2012 - 08 June 2012, Cross-Pollination, http://redobjects.unsw.edu.au/system/assets/275/original/Cross-Pollination_Catalogue_web.pdf

Moline K, 2007, Connections: Experimental Design, exhibited at: Ivan Dougherty Gallery, 05 July 2007 - 21 July 2007

Theses / Dissertations

Robinson F, 2023, Designing Sound for Social Robots: Advancing Professional Practice through Design Principles

Samarasekara I, 2023, Remaking the cosmopolitan imaginary of traditional Sri Lankan jewellery impacted by colonisation and globalisation

Harkness M, 2022, Matters of Concern: A Critical Investigation of Bioplastics, 3D Printing, and the Maker Movement

Vickers C, 2022, Annotating the performance meshwork: Experimental visual listening guides from musical gesture for audiences new to classical music, http://dx.doi.org/10.26190/unsworks/24235

Brazauskayte Y, 2022, Mediated rhythms of bodies in coordination: design of communication technology for connectedness

Vickers C, 2022, Annotating the performance meshwork: Experimental visual listening guides from musical gesture for audiences new to classical music

Baistow C, 2019, Co-design and hyper-consumerism: technology, participation and ceramics

Greethead H, 2019, An exploration of how webcomics can improve the accessibility of future-oriented speculative and critical design

Vassallo L, 2017, Burlesque: redefining the representation of women

Craswell P, 2017, Beyond Celebrity: emergent design narratives in Frame and Inside magazines

Keulemans G, 2015, Affect and the experimental design of domestic products, University of New South Wales, Art & Design, https://www.academia.edu/35605876/affect_and_the_experimental_design_of_domestic_products

O'Neill JG, 2012, The design and social meaning of Australian type specimen books, 1880-1901

Martusewicz B, 2012, Graphic authorship, and the contextual specificity of letterforms

Moline K, 2011, The relationship between experimental design and the artistic avant-gardes (1998 - 2007), College of Fine Arts Library, http://handle.unsw.edu.au/1959.4/51663

Zamberlan L, 2008, The Pleasure of Appearances

Zamberlan L, 2008, The Pleasure of Appearances

Visual Arts

Moline K, 2007, Exhibited: Connections: Experimental Design at , Publication: Ivan Dougherty Gallery, Sydney, Curator/Editor: Moline K, publication category: Visual Arts

Creative Written Works

Moline K; Baistow C; Brown S, 2025, Neurodiversity and opportunity in research training at tertiary level, NiTRO + Creative Matters, Edition 8: Inclusion + diversity in higher education learning + teaching in the creative arts, Keulemans G; Glisovic S, (ed.), The Australian Council of Deans and Directors of Creative Arts, https://creativematters.edu.au/neurodiversity-and-opportunity-in-tertiary-education-at-honours-level/

Moline K, 2022, Changing the Rules of the Game: Making Menopause Cool Through Data, Codesign, Cultural Probes, and Ethnographic Surrealism Research Workshops, SAGE Research Methods: Doing Research Online, SAGE Research Methods, https://methods.sagepub.com/case/menopause-data-codesign-cultural-probes-ethnographic-surrealism-workshops?fromsearch=true

Moline K; Goddard A; Davis B, 2021, How we imagine data and data reimagines us, The Data Imaginary: Fears and Fantasies, Moline K, (ed.), Griffith University Art Museum

Moline K, 2018, Three years of living with an Energy Babble, Energy Babble, Boucher A; Gaver W; Kerridge T; Michael M; Ovalle L; Wilkie A; Plummer-Fernandez M, (eds.), Mattering Press, https://www.matteringpress.org/books/energy-babble

Moline K, 2017, Imagining the city: home, ruin, landscape, and playground, #KissingSydney, Historic Houses Association, National Trust Centre

Moline K; Ansari A; Butoliya D, 2016, Climactic: Post Normal Design, Climactic: Post Normal Design, Moline K; Ansari A; Butoliya D, (eds.), Miller Gallery, Carnegie Mellon University

Moline K, 2015, Bringing Experimental Design Thinking and Practice Together, Experimental Thinking / Experimental Practices, Moline K; Hall P, (ed.), Griffith University Art Gallery, https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/publications/on-line-publications

Moline K, 2015, Experimental Practice: Provocations, Experimental Practice: Provocations In and Out of Design, Moline K; Haylock B; Vaughan L, (eds.), RMIT Design Hub, http://www.designhub.rmit.edu.au/docs/ep-catalogue-outer.pdf

Moline K, 2014, Dingo Logic: Feral Experimental and New Design Thinking, Feral Experimental: New Design Thinking, UNSW Galleries, UNSW Australia Art & Design

Moline K, 2009, Tensions Between Sustainability and Design: Third Time Lucky?, Sustain Me: Contemporary Design, Bamford R; Williamson L, (ed.), Ivan Dougherty Gallery

Moline K, 2007, Connections: Experimental Design, Connections: Experimental Design, Moline K, (ed.), Ivan Dougherty Gallery

Moline K, 2007, Integration: The Nature of Objects, Integration: The Nature of Objects, Williamson L, (ed.), Ivan Dougherty Gallery

Recorded / Rendered Creative Works

Drysdale K; Moline K; Newman C, 2024, Reimagining Menopause. Mobilising radical imaginaries across social, creative and clinical domains, UNSW Centre for Social Research in Health, video, Published: 31 May 2024, Duration: 02:46:35, Recorded / Rendered Creative Works, https://www.unsw.edu.au/research/csrh/our-projects/reimagining-menopause

Pound P; Moline K, 2022, Artist Interview: Patrick Pound, Griffith University Art Museum and Flinders University Art Museum, Brisbane and Adelaide, Editor(s): Baistow C, audio-recording, Published: 30 March 2022, Duration: 00:05:00, Recorded / Rendered Creative Works, https://thedataimaginary.com/podcast/artist-interview-patrick-pound/

Greeno L; Moline K, 2021, Artist Interview: Lola Greeno, Griffith University Art Museum, Brisbane, Editor(s): Baistow C, video, Published: 27 August 2021, Duration: 00:24:40, Recorded / Rendered Creative Works, https://thedataimaginary.com/podcast/interview-lola-greeno/

Moline K; Goddard A; Hayman A; Casey T; Davis B, 2021, The Data Imaginary: Fears and Fantasies, Griffith University Art Museum, Brisbane, exhibition, website, audio recordings, video recordings, print catalogue, Published: 01 July 2021, Recorded / Rendered Creative Works, https://thedataimaginary.com/about/

Adhitya S; Davis B; Frankjaer R; Flanagan P; Mahony Z, 2017, BIOdress (video projection), Editor(s): Davis R; Khut G; Moline K, digital projection, Published: 24 March 2017, Recorded / Rendered Creative Works, http://dx.doi.org/10.26190/unsworks/25802

Frankjaer R; Davis B; Mahony Z; Adhitya S, 2016, BIOdress (video), Editor(s): Moline K; Ansari A; Butoliya D, Video, Published: 04 November 2016, Recorded / Rendered Creative Works, http://millergallery.cfa.cmu.edu/exhibitions/climacticpostnormal/

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