By Associate Professor Katherine Moline

Conference Presentations

Moline K, 2015, 'On researching mobile media', presented at Researching Digital Cultures: Methods & Ethics Symposium, UNSW School of Arts and Media, 05 November 2015 - 05 November 2015

Moline K, 2014, 'Experimental Design Research: Participatory and Speculative Design', presented at Feral Experimental: New Design Thinking, UNSW Galleries, 20 August 2014 - 22 August 2014, http://niea.unsw.edu.au/events/symposium-workshops-feral-experimental

Moline K, 2010, 'Handy Excuses for Avoiding Scholarship in Practice Based Research', presented at Practice as Research Symposium, RMIT, 28 October 2010

Moline K, 2010, 'When Does Practice Fulfill the Scholarly Definition of Research?', presented at New Territories: Design Research Context, College of Fine Art, UNSW, 19 August 2010

Moline K, 2010, 'How Experimental Designers Question Mechanical Functionalism as the Defining Paradigm of Design', presented at New Territories: On Designing, College of Fine Arts, UNSW, 05 August 2010

Moline K, 2010, 'If I put this on my wall at home, why wouldn't it be art?: the rules of making and the rules of judging design', presented at Poetic Machines, University of Technology Sydney, 04 August 2010

Moline K; Clark K, 2007, 'Exhibitions as Interfaces Between Practice and Research', presented at ACUADS, College of Fine Arts, UNSW, 28 September 2007 - 28 September 2007

Moline K, 2007, 'The Inseparability of Wit and Reason in Contemporary Experimental Design', presented at ConnectED 2007, University of New South Wales, Sydney, 12 July 2007 - 12 July 2007

Moline K, 2004, 'Experimental Design', presented at sds2k4: Sydney Design Symposium, University of Technlogy Sydney and College of Fine Arts University of New South Wales, 12 November 2004 - 13 November 2004

Conference Abstracts

Moline K, 2018, 'Myths of the Near Future: Socially Engaged Data', in Selfie Subjectivities Research Symposium, Co-sponsored by Creative Agency; Swinburne University of Technology Social Media Research Group; Design & Creative Practice ECP Platform (RMIT); and Digital Ethnography Research Centre (RMIT), RMIT, Melbourne, pp. 10 - 10, presented at Selfie Subjectivities Research Symposium, RMIT, Melbourne, 05 April 2018 - 06 April 2018

Curatorial Outputs

Moline K, 2023, The Data Imaginary: Fears and Fantasies, 2023, exhibited at: ANU School of Art & Design Gallery, Canberra, 28 September 2023 - 27 October 2023, https://thedataimaginary.com/

Moline K; Goddard A; Hayman A; Casey T; Davis B, 2021, The Data Imaginary: Fears and Fantasies, exhibited at: Griffith University Art Museum, Brisbane, 02 May 2021 - 02 July 2021, http://dx.doi.org/10.26190/unsworks/28202

Moline K; Butoliya D; Ansari A, 2016, Climactic: Post Normal Design, exhibited at: Miller Gallery, Carnegie Mellon University, Pittsburgh, USA, 04 November 2016 - 11 December 2016, http://dx.doi.org/10.26190/unsworks/26333

Moline K; Hall P; Davis B; Vaughan L; Haylock B, 2015, Experimental Thinking / Design Practices, exhibited at: Griffith University Art Gallery, Brisbane, 18 September 2015 - 07 November 2015, http://dx.doi.org/10.26190/unsworks/26334

Moline K; Haylock B; Vaughan L, 2015, Experimental Practice: Provocations In and Out of Design, exhibited at: RMIT Design Hub, 11 May 2015 - 30 May 2015, http://dx.doi.org/10.26190/unsworks/25634

Moline K, 2014, Feral Experimental, exhibited at: UNSW Galleries, 18 July 2014 - 30 August 2014, http://www.niea.unsw.edu.au/events/exhibition-feral-experimental

Moline K, 2012, Cross-Pollination, exhibited at: COFA Exhibition Space; COFA UNSW Paddington, 05 June 2012 - 08 June 2012, Cross-Pollination, http://redobjects.unsw.edu.au/system/assets/275/original/Cross-Pollination_Catalogue_web.pdf

Moline K, 2007, Connections: Experimental Design, exhibited at: Ivan Dougherty Gallery, 05 July 2007 - 21 July 2007

Theses / Dissertations

Robinson F, 2023, Designing Sound for Social Robots: Advancing Professional Practice through Design Principles

Samarasekara I, 2023, Remaking the cosmopolitan imaginary of traditional Sri Lankan jewellery impacted by colonisation and globalisation

Harkness M, 2022, Matters of Concern: A Critical Investigation of Bioplastics, 3D Printing, and the Maker Movement

Vickers C, 2022, Annotating the performance meshwork: Experimental visual listening guides from musical gesture for audiences new to classical music, http://dx.doi.org/10.26190/unsworks/24235

Brazauskayte Y, 2022, Mediated rhythms of bodies in coordination: design of communication technology for connectedness

Vickers C, 2022, Annotating the performance meshwork: Experimental visual listening guides from musical gesture for audiences new to classical music

Baistow C, 2019, Co-design and hyper-consumerism: technology, participation and ceramics

Greethead H, 2019, An exploration of how webcomics can improve the accessibility of future-oriented speculative and critical design

Vassallo L, 2017, Burlesque: redefining the representation of women

Craswell P, 2017, Beyond Celebrity: emergent design narratives in Frame and Inside magazines

Keulemans G, 2015, Affect and the experimental design of domestic products, University of New South Wales, Art & Design, https://www.academia.edu/35605876/affect_and_the_experimental_design_of_domestic_products

O'Neill JG, 2012, The design and social meaning of Australian type specimen books, 1880-1901

Martusewicz B, 2012, Graphic authorship, and the contextual specificity of letterforms

Moline K, 2011, The relationship between experimental design and the artistic avant-gardes (1998 - 2007), College of Fine Arts Library, http://handle.unsw.edu.au/1959.4/51663

Zamberlan L, 2008, The Pleasure of Appearances

Zamberlan L, 2008, The Pleasure of Appearances

Visual Arts

Moline K, 2007, Exhibited: Connections: Experimental Design at , Publication: Ivan Dougherty Gallery, Sydney, Curator/Editor: Moline K, publication category: Visual Arts

Creative Written Works

Moline K; Baistow C; Brown S, 2025, Neurodiversity and opportunity in research training at tertiary level, NiTRO + Creative Matters, Edition 8: Inclusion + diversity in higher education learning + teaching in the creative arts, Keulemans G; Glisovic S, (ed.), The Australian Council of Deans and Directors of Creative Arts, https://creativematters.edu.au/neurodiversity-and-opportunity-in-tertiary-education-at-honours-level/

Moline K, 2022, Changing the Rules of the Game: Making Menopause Cool Through Data, Codesign, Cultural Probes, and Ethnographic Surrealism Research Workshops, SAGE Research Methods: Doing Research Online, SAGE Research Methods, https://methods.sagepub.com/case/menopause-data-codesign-cultural-probes-ethnographic-surrealism-workshops?fromsearch=true

Moline K; Goddard A; Davis B, 2021, How we imagine data and data reimagines us, The Data Imaginary: Fears and Fantasies, Moline K, (ed.), Griffith University Art Museum

Moline K, 2018, Three years of living with an Energy Babble, Energy Babble, Boucher A; Gaver W; Kerridge T; Michael M; Ovalle L; Wilkie A; Plummer-Fernandez M, (eds.), Mattering Press, https://www.matteringpress.org/books/energy-babble

Moline K, 2017, Imagining the city: home, ruin, landscape, and playground, #KissingSydney, Historic Houses Association, National Trust Centre

Moline K; Ansari A; Butoliya D, 2016, Climactic: Post Normal Design, Climactic: Post Normal Design, Moline K; Ansari A; Butoliya D, (eds.), Miller Gallery, Carnegie Mellon University

Moline K, 2015, Bringing Experimental Design Thinking and Practice Together, Experimental Thinking / Experimental Practices, Moline K; Hall P, (ed.), Griffith University Art Gallery, https://www.griffith.edu.au/visual-creative-arts/griffith-artworks/publications/on-line-publications

Moline K, 2015, Experimental Practice: Provocations, Experimental Practice: Provocations In and Out of Design, Moline K; Haylock B; Vaughan L, (eds.), RMIT Design Hub, http://www.designhub.rmit.edu.au/docs/ep-catalogue-outer.pdf

Moline K, 2014, Dingo Logic: Feral Experimental and New Design Thinking, Feral Experimental: New Design Thinking, UNSW Galleries, UNSW Australia Art & Design

Moline K, 2009, Tensions Between Sustainability and Design: Third Time Lucky?, Sustain Me: Contemporary Design, Bamford R; Williamson L, (ed.), Ivan Dougherty Gallery

Moline K, 2007, Connections: Experimental Design, Connections: Experimental Design, Moline K, (ed.), Ivan Dougherty Gallery

Moline K, 2007, Integration: The Nature of Objects, Integration: The Nature of Objects, Williamson L, (ed.), Ivan Dougherty Gallery

Recorded / Rendered Creative Works

Drysdale K; Moline K; Newman C, 2024, Reimagining Menopause. Mobilising radical imaginaries across social, creative and clinical domains, UNSW Centre for Social Research in Health, video, Published: 31 May 2024, Duration: 02:46:35, Recorded / Rendered Creative Works, https://www.unsw.edu.au/research/csrh/our-projects/reimagining-menopause

Pound P; Moline K, 2022, Artist Interview: Patrick Pound, Griffith University Art Museum and Flinders University Art Museum, Brisbane and Adelaide, Editor(s): Baistow C, audio-recording, Published: 30 March 2022, Duration: 00:05:00, Recorded / Rendered Creative Works, https://thedataimaginary.com/podcast/artist-interview-patrick-pound/

Greeno L; Moline K, 2021, Artist Interview: Lola Greeno, Griffith University Art Museum, Brisbane, Editor(s): Baistow C, video, Published: 27 August 2021, Duration: 00:24:40, Recorded / Rendered Creative Works, https://thedataimaginary.com/podcast/interview-lola-greeno/

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