By Associate Professor Fiona Morrison

Books

Morrison F; Parker M, 2025, Thinking for Yourself in the Age of AI, Simon and Schuster, Sydney

Morrison F, 2019, Christina Stead and the Matter of America, University of Sydney Press, Sydney, http://dx.doi.org/10.2307/j.ctvscxs57

, 2011, Selected Prose of Dorothy Hewett, Morrison , (ed.), University of Western Australia Press, Perth

Morrison ; Parker M, 2006, Masters in Pieces: The English Canon for the Twenty-first century, Cambridge University Press, Melbourne

, 2003, The Little Hotel, Morrison ; Harris M, (ed.), Richmond (ETT), Sydney

Book Chapters

Morrison F; Rooney B, 2024, 'Introduction: Time, Tide and History', in Morrison F; Rooney B (ed.), Time, Tide and History: Eleanor Dark's Fiction, Sydney University Press, Sydney, pp. 1 - 20

Morrison F, 2024, 'Scales of Relation: Eleanor Dark's Waterway, the Aquatic Pastoral and Communal Mourning', in Morrison F; Rooney B (ed.), Time, Tide and History: Eleanor Dark's Fiction, Sydney University Press, Sydney, pp. 159 - 178, https://www.jstor.org/stable/jj.15454034.13

Morrison F, 2023, 'Henry Handel Richardson, Christina Stead and the Transnational Novel of Provincial Development.', in Carter D (ed.), The Cambridge History of the Australian Novel, Cambridge University Press, New York, pp. 218 - 235

Morrison F, 2023, '’Rich and Strange’: Christina Stead and the Australian Transnational Novel', in Birns N (ed.), The Cambridge Companion to the Australian Novel, Cambridge Universtiy Press, New York

Morrison F, 2014, '““This Intricate Lasting Nature”: Passage, Pastoral Elegy and the Pedagogy of Loss in Shirley Hazzard’s The Evening of the Holiday.”', in Olubas B (ed.), Shirley Hazzard: new critical essays, University of Sydney Press, Sydney, pp. 13 - 23, https://sup-estore.sydney.edu.au/jspcart/cart/Product.jsp?nID=958&nCategoryID=1

Morrison F, 2014, '“Bursting with Voice and Doubleness: Vernacular presence and visions of inclusiveness in Tim Winton’s Cloudstreet.”', in McCredden L; O'Reilly N (ed.), Tim Winton: Critical Essays., UWAP, Nedlands, pp. 49 - 74, http://uwap.uwa.edu.au/products/tim-winton-critical-essays

Morrison , 2012, '‘The American Introduction: Perfect Readers, Unread Books and Christina Stead’s The Man Who Loved Children.', in Kirkpatrick P (ed.), Republics of Letters: Literary Communities in Australia, University of Sydney Press, Sydney, pp. 127 - 136, http://fmx01.ucc.usyd.edu.au/jspcart/cart/Product.jsp?nID=655&nCategoryID=30

Morrison F, 2011, 'Introduction', in Selected Prose of Dorothy Hewett, University of Western Australia Press, Nedlands, pp. 2 - 28

Morrison , 2010, 'The Rhetoric of Sensation: Austen, Bronte and the Gothic Romance.', in Scoping the syllabus : papers from the English Association English Teachers Conference 2010, English Association, Sydney, pp. 107 - 116

Morrison , 2008, 'To Have Loved and Lost: Life Writing and the Rhetoric of Consolation', in New Directions, English Association Sydney, Sydney, pp. 110 - 121

Morrison F, 2003, 'Introduction', in Morrison F (ed.), The Little Hotel. By Christina Stead., Richmond, Sydney, pp. ix - xiv

Morrison , 2000, '“’The Cruel Book’: Political Satire and the Female Satirist in I'm Dying Laughing.”', in Harris M (ed.), The Magic Phrase: Critical Essays on Christina Stead. Rpt. in Twentieth-Century Literary Criticism. Ed. Lawrence J. Trudeau. Vol. 244. Detroit: Gale, 2011. 183-192. Print., University of Queensland Press, St Lucia, pp. 224 - 240

Edited Books

Morrison F; Rooney B, (ed.), 2024, Time Tide and History: Eleanor Dark's Fiction, Sydney University press, Sydney

Journal articles

Morrison F, 2021, '"'Deep Digging': Henry Handel Richardson, Transnational Allegory and the Unsettled Epic', Affirmations: of the modern, 7, pp. 72 - 83, https://affirmationsmodern.com/

Morrison F, 2018, 'The Antiphonal Time of Violence in Leah Purcell's' The Drover's Wife', Southerly: a review of Australian literature, 78, pp. 173 - 191, https://search.informit.com.au/documentSummary;dn=422638758895079;res=IELLCC

Morrison F, 2017, '“A transfiguration of my local patriotism”: Christina Stead, the figure of oceanic totality and ‘A Night on the Indian Ocean’.', Westerly, 2, pp. 87 - 100, https://westerlymag.com.au/issues/62-2/

Morrison F, 2016, '‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind', Australian Literary Studies, http://dx.doi.org/10.20314/als.a746944c30

Morrison F; Rooney, B, 2016, 'Introduction "Rediscovering Christina Stead"', Australian Literary Studies

Morrison F, 2014, '“‘Foxy Lady’: Radical Chic and Rhetorical Markets in Christina Stead’s Letty Fox: Her Luck.”', Antipodes: A Global Journal of Australian/New Zealand Literature, 27, pp. 111 - 122

Morrison F, 2013, '“Modernist/Provincial/Pacific: Christina Stead, Katherine Mansfield and the Expatriate Hometown.”', JASAL Special Issue: The Colonies, 13, http://www.nla.gov.au/openpublish/index.php/jasal/article/view/2897

Morrison F, 2012, 'Nine Lives: Postwar Women Writers Making their Mark', AUSTRALIAN FEMINIST STUDIES, 27, pp. 225 - 227, http://dx.doi.org/10.1080/08164649.2012.683385

Morrison , 2012, 'Leaving the Party: Dorothy Hewett, Literary Politics and the Long 1960s', Southerly, 72, pp. 36 - 50, http://search.informit.com.au/documentSummary;dn=787139479570750;res=IELLCC

Morrison , 2011, 'I must have a mask to hide behind’: Signature, Imposture and Henry Handel Richardson.', Journal of the Association for the Study of Australian Literature (JASAL). Rpt in Twentieth-Century Literary Criticism. Ed. Lawrence J. Trudeau. Vol. 327. Detroit: Gale, Cengage Learning, 2016. Prod. Layman Poupard. 219-322. Print., Archive Madness, pp. 1 - 12

Morrison , 2010, 'The Quality of ‘Life’: Dorothy Hewett’s Literary Criticism.', Journal of the Association for the Study of Australian Literature (JASAL), Common Readers and Cultural Critics, pp. 1 - 10

Morrison , 2009, 'The Elided Middle: Christina Stead’s For Love Alone and the Colonial Voyage In.', Southerly, 69, pp. 155 - 174

Morrison , 2001, '“On Foreign Ground: Expatriate Masculinity and the Unhomely Woman in Henry Handel Richardson’s Maurice Guest.” Rpt in Twentieth-Century Literary Criticism. Ed. Lawrence J. Trudeau. Vol. 327. Detroit: Gale, Cengage Learning, 2016. Prod. Layman Poupard. 219-322. Print.', Southerly, 61, pp. 64 - 79

Morrison , 1999, '“Figures of the Many and the One: Gender, Genre and Narrative Structure in Tim Winton's Cloudstreet.”', Sydney Studies in English, 25, pp. 133 - 155

Conference Papers

Morrison , 2001, '“Anglo-Celtic Elegy: Reading the Cultural Hyphen.”', in Origins and Revivals, Centre for Celtic Studies, Sydney, Sydney, pp. 457 - 470

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