ORCID as entered in ROS

Select Publications
2017, 'Extended Flight: The Emergence of Drone Sovereignty', InVisible Culture: An Electronic Journal for Visual Culture, http://web.a.ebscohost.com/ehost/detail/detail?vid=2&sid=73ba488f-8657-4345-bb9d-1f4aca1c435c%40sessionmgr4006&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#AN=127115860&db=vth
,2017, 'Half-Lives of Hackers and the Shelf Life of Hacks', Limn, https://limn.it/articles/half-lives-of-hackers-and-the-shelf-life-of-hacks/
,2017, 'Beneath the Clouds, the Beach', Cultural Anthropology
,2017, 'Drones Caught in the Net', Imaginations: Journal of Cross-Cultural Images Studies, 8, http://dx.doi.org/10.17742/IMAGE.LD.8.2.8
,2017, 'Technology retreats and the politics of social media', tripleC: Communication, Capitalism and Critique, 15, pp. 355 - 369
,2016, 'Networked idiots: affective economies and neoliberal subjectivity in Russian viral video', Global Media and Communication, 12, pp. 143 - 159, http://dx.doi.org/10.1177/1742766516652165
,2016, 'Drone Sense', UnMediated, 1, pp. 73 - 76, http://unmediatedjournal.com/issues/
,2016, 'Zopa’s lambs: video ads, internet banks, and the financialization of affect', Ephemera : Theory and Politics in Organization, 16, pp. 33 - 49, http://www.ephemerajournal.org/contribution/zopa%E2%80%99s-lambs-video-ads-internet-investment-and-financialization-affect
,2016, 'Gagged and doxed: Hacktivism’s self-incrimination complex', International Journal of Communication, 10, pp. 3281 - 3300
,2015, 'Edgework, state power, and hacktivists', Hau: Journal of Ethnographic Theory, 5, pp. 383 - 390, http://dx.doi.org/10.14318/hau5.2.022
,2015, 'Mirroring the videos of Anonymous: cloud activism, living networks, and political mimesis', The Fibreculture Journal, 26, pp. 85 - 107, http://dx.doi.org/10.15307/fcj.26.191.2015
,2014, 'Participations: Dialogues on the participatory promise of contemporary culture and politics part two: Labour', International Journal of Communication, 8, pp. 1089 - 1106
,2013, 'Participatory television: convergence, crowdsourcing, and neoliberalism', Communication, Culture and Critique, 6, pp. 372 - 395, http://dx.doi.org/10.1111/cccr.12016
,2011, 'Birds of the internet: a field guide to understanding action, organization, and the governance of participation', Journal of Cultural Economy, 4, pp. 157 - 187, http://dx.doi.org/10.1080/17530350.2011.563069
,2011, 'Digital Labor in Participatory Television', in media res
,2011, 'Film and Archaeology in the Indigenous and Industrial American West', Visual Anthropology, 24, pp. 246 - 265, http://dx.doi.org/10.1080/08949468.2010.508938
,2011, 'Indigenous Digital Media and the History of the Internet on the Columbia Plateau', Journal of Northwest Anthropology, 45, pp. 91 - 114
,2011, 'Revolutionary tactics, media ecologies, and repressive regimes', Public Culture, 23, pp. 505 - 510, http://dx.doi.org/10.1215/08992363-1336381
,2011, 'The place of the internet in anthropology', Anthropology News, 52, pp. 17 - 17, http://dx.doi.org/10.1111/j.1556-3502.2011.52317.x
,2011, 'You Are Not a Gadget: A Manifesto', NEW MEDIA & SOCIETY, 13, pp. 510 - 513, http://dx.doi.org/10.1177/14614448110130031102
,2009, 'Internet Authorship: Social and Political Implications within Kyrgyzstan', Journal of Computer-Mediated Communication, 14, pp. 559 - 580, http://dx.doi.org/10.1111/j.1083-6101.2009.01453.x
,2009, 'Multi-sited anthropology and new media journalism', Anthropology News, 50, pp. 27 - 27, http://dx.doi.org/10.1111/j.1556-3502.2009.50727.x
,2009, 'World of wonder: a documentary of a production subculture', Mediascape, Fall
,2007, 'A Preliminary Study on English and Welsh “Sacred Sites” and Home Dream Reports', Anthropology of Consciousness, 18, pp. 2 - 28, http://dx.doi.org/10.1525/ac.2007.18.2.2
,2007, 'Mining difference for the culture industry: both Borat and anthropologists do it', Anthropology News, 48, pp. 6 - 7, http://dx.doi.org/10.1525/an.2007.48.1.6
,2007, 'Sex, media, celebrity: a queer culture of media production', FlowTV, 5
,2007, 'Support Media Anthropology and New Media', Anthropology News, 48, pp. 22 - 22, http://dx.doi.org/10.1525/an.2007.48.1.22
,2007, 'Television, ecotourism, and the videocamera: performative non-fiction and auto-cinematography', FlowTV, 5
,2006, 'Comparing Home Dream Reports with Reports from English and Welsh "Sacred Sites"', ReVision: A Journal of Consciousness and Transformation, 28, pp. 36 - 45, http://dx.doi.org/10.3200/revn.28.4.36-45
,2006, 'Anthropologists responding to anthropological television', Anthropology Today, 22, pp. 22 - 25, http://dx.doi.org/10.1111/j.1467-8322.2006.00452.x
,2006, 'Indigenous Bodies in Colonial Courts: Anthropological Science and the (Physical) Law of the Remaining Human', Wicazo Sa Review, 21, pp. 77 - 95
,2005, 'Native American sacred places and the language of capitalism', Future Anterior, 2, pp. 40 - 49
,2003, 'The Use of the Strauch Scale to Study Dream Reports from Sacred Sites in England and Wales', Dreaming, 13, https://link.springer.com/article/10.1023/A:1023302209103
,'Digital labor is the new killer app', New Media and Society, 14, pp. 137 - 152, http://dx.doi.org/10.1177/1461444811412159
,2017, 'Edges of Digital Connectivity', pp. 1 - 5
,2015, 'Digital financial innovation: design rhetorics, spatiality, and the challenge of creating community', Vancouver, presented at Computer-Supported Cooperative Work and Social Computing, Vancouver, 14 March 2015 - 15 March 2015, https://researcher.watson.ibm.com/researcher/view_group_subpage.php?id=5705
,2015, 'A computational study of how and why reddit.com was an effective platform in the campaign against SOPA', in Meiselwitz G (ed.), Springer, pp. 229 - 241, http://dx.doi.org/10.1007/978-3-319-20367-6_23
,, 'Governance of labor in digital video networks'
2016, Study on comprehensive policy review of anti-trafficking projects funded by the European Commission, Publications Office of the European Union, https://ec.europa.eu/anti-trafficking/publications/comprehensive-policy-review-anti-trafficking-projects_en
,2015, Internet parties: the internet as party, policy, platform, and persuasive symbol, MIT Press, Cambridge, Mass., https://eprints.lancs.ac.uk/id/eprint/73056/
,2014, Deploying, innovating, and disrupting—designing digital infrastructures for alternative financial systems: digital intermediary exchange ‘toolkit’, 3rd Party Dematerialisation and Rematerialisation of Capital
,2014, Interpreting infrastructure: defining user value for digital financial intermediaries, 3rd Party Dematerialisation and Rematerialisation of Capital
,2014, Managing digital intermediaries: socio-digital analysis of the design of internet-based social, peer-to-peer financial services, 3rd Party Dematerialisation and Rematerialisation of Capital
,2014, Participatory design of digital intermediaries, 3rd Party Dematerialisation and Rematerialisation of Capital
,2014, Putting the ‘digital’ in Digital Intermediaries: the role of technical infrastructure in building business models, 3rd Party Dematerialisation and Rematerialisation of Capital
,2018, Points of Presence, Screenworks.org.uk, Published: 01 June 2018, Duration: 00:18:46, Recorded / Rendered Creative Works, http://screenworks.org.uk/archive/digital-ecologies-and-the-anthropocene/points-of-presence
,2019, Points of Presence
,“Internet Freedom” and policy beta: a short documentary on the UK Pirate Party’s policy crowdsourcing platform
,7th Annual Screening Scholarship Media Festival–Points of Presence
,Invited talk and performance at Green Film Festival, St Andrews University, Scotland
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