
My Expertise
My expertise sits within the disciplines of Critical Plant Studies or Plant Humanities, Environmental Aesthetics and Ecofeminism, specifically in the areas of art and narrative.
Keywords
Fields of Research (FoR)
Creative writing (incl. scriptwriting), Visual cultures, Creative and professional writing, Art criticism, Art theorySEO tags
Biography
Dr Prudence Gibson is author of monographs The Plant Thieves (NewSouth Publishing 2023), The Plant Contract (Brill 2018) and The Pharmacy of Plants: Janet Laurence (NewSouth Publishing 2015) in addition to trade books, essays and peer-review papers. Her latest edited book is Dark Botany (Open Humanities Press 2024). Her recent article on poison gardens for The Conversation
Dr Prudence Gibson is author of monographs The Plant Thieves (NewSouth Publishing 2023), The Plant Contract (Brill 2018) and The Pharmacy of Plants: Janet Laurence (NewSouth Publishing 2015) in addition to trade books, essays and peer-review papers. Her latest edited book is Dark Botany (Open Humanities Press 2024). Her recent article on poison gardens for The Conversation https://theconversation.com/friday-essay-cure-or-kill-the-deadly-serious-world-of-poison-gardens-and-why-i-planted-my-own-238080 was translated into French and received over 150 000 reads.
All her work is informed by theoretical concepts of plant humanities, environmental aesthetics, eco-feminism, plant medicine (poisons) history and post-human theory. She was Lead CI on the 2020-24 ARC Linkage grant Exploring the cultural value of Sydney’s Royal Botanic Gardens Herbarium collection using an environmental aesthetic.
Her teaching includes DART3330 Art and Climate (focussing on plant humanities) and DART3340 Art and Activism. Gibson's own practice weaves fictional elements and narrative threads into her scholarly publications. She is part of the Scrub Collective, commissioned by the City of Sydney to create a Dirt Witches Banksia Forest in Haymarket, Sydney.
Gibson is creative submissions editor of Plant Perspectives, is an active participant in US network The Plant Initiative and is on the editorial board of Seedbooks, Open Humanities Press. She collaborates with scholars at Queen Mary University (London), York University (Canada) and Kew Gardens (London). She is a member of the deep south chapter of the plant humanities network, Working With Plants in the Anthropocene.
My Grants
2020-3 Lead Chief Investigator ARC Linkage LP190100069 $296, 000
2019 UNSW Art and Design Dean’s Award for best scholarly single author book – The Plant Contract, Brill.
2019 UNSW Art and Design Faculty Research Grant $9, 465
2018 UNSW Art and Design Faculty Research Grant $10,500
2017 UNSW Art and Design Faculty Research Grant $1,800
2015 UNSW School of Arts and Media School Research Grant $5000 for Janet Laurence monograph New South Publishing.
2014 Australia Council New Work grant (Visual Arts Board) $20 000 to write a book on ‘Plant sentience, bio-art and aesthetics of cure.’
2014 Dean’s Student Leadership Award – Research, FASS, UNSW
2013 Dean’s Student Leadership Award – Creative and Performing Arts, FASS, UNSW.
2011 Full-time post-graduate scholarship APA UNSW for PhD in writing, $24 000 per annum for three years.
2011 International Independent Publishers (silver) Award for category of essay/creative non fiction for the book The Rapture of Death.
2009 Australia Council New Work grant (Visual Arts Board) $10 000 to write a book, The Rapture of Death.
My Research Activities
Gibson is Lead Chief Investigator on the ARC Linkage project 2020-23, entitled Exploring the cultural value of Sydney’s Royal Botanic Gardens Herbarium collection using an environmental aesthetic $296 000.Her research team includes Brett Summerell, chief botanist Royal Botanic Gardens, Sydney, and Sophie O'Brien CEO of Bundanon Trust, UNSW's Sigi Jottkandt and Melbourne University's Professor Marie Sierra.
She is also a key member of the Dirt Witches eco-activist group that creates artworks and urban greening projects to raise awareness for changes to biodiversity and plant extinctions.
She collaborates with botanists, horticulturists, community greening staff and herbarium managers, and works to deepen connections (and outputs) with her network of poets, artists, writers and film-makers.
My Research Supervision
Areas of supervision
Art theory, environmental aesthetics, plant studies, speculative aesthetics, ecological art, environmental activism
Publications
ORCID as entered in ROS
