By Associate Professor Katherine Moline

Theses / Dissertations

Robinson F, 2023, Designing Sound for Social Robots: Advancing Professional Practice through Design Principles

Samarasekara I, 2023, Remaking the cosmopolitan imaginary of traditional Sri Lankan jewellery impacted by colonisation and globalisation

Harkness M, 2022, Matters of Concern: A Critical Investigation of Bioplastics, 3D Printing, and the Maker Movement

Vickers C, 2022, Annotating the performance meshwork: Experimental visual listening guides from musical gesture for audiences new to classical music, http://dx.doi.org/10.26190/unsworks/24235

Brazauskayte Y, 2022, Mediated rhythms of bodies in coordination: design of communication technology for connectedness

Vickers C, 2022, Annotating the performance meshwork: Experimental visual listening guides from musical gesture for audiences new to classical music

Baistow C, 2019, Co-design and hyper-consumerism: technology, participation and ceramics

Greethead H, 2019, An exploration of how webcomics can improve the accessibility of future-oriented speculative and critical design

Vassallo L, 2017, Burlesque: redefining the representation of women

Craswell P, 2017, Beyond Celebrity: emergent design narratives in Frame and Inside magazines

Keulemans G, 2015, Affect and the experimental design of domestic products, University of New South Wales, Art & Design, https://www.academia.edu/35605876/affect_and_the_experimental_design_of_domestic_products

O'Neill JG, 2012, The design and social meaning of Australian type specimen books, 1880-1901

Martusewicz B, 2012, Graphic authorship, and the contextual specificity of letterforms

Moline K, 2011, The relationship between experimental design and the artistic avant-gardes (1998 - 2007), College of Fine Arts Library, http://handle.unsw.edu.au/1959.4/51663

Zamberlan L, 2008, The Pleasure of Appearances

Zamberlan L, 2008, The Pleasure of Appearances

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